Ira, a film photographer dejected with life in the city, decides to move to an old house in the countryside for a fresh start. Unbeknownst to him, Ira may not be able to escape his past as he once thought.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
Growing up is a challenge for everyone.
