'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

An absorbing example of genre filmmaking in the People’s Republic of China, Husband and Wife could at first glance be mistaken for any other romantic melodrama chronicling the rise and decline of a married couple’s love; here, though, that love takes place in (and is entirely defined by) a realm of political upheaval and Maoist ideology. A Shanghai intellectual marries an illiterate peasant woman–turned–collectivist hero, with outcomes both universal (differences emerge) and specific (revolutionary self-critiques). At first a popular hit, the film (and Zheng himself) was soon critically attacked for counterrevolutionary, pro-bourgeois thought. Zheng even penned a confessional autocritique, but the damage to his career was done. (BAMPFA)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
'Hollywood Stargirl' (2022) is a teen romantic drama film that centers around the title character's experiences in Los Angeles. This film serves as the sequel to the 2020 film 'Stargirl', but unlike the previous film, the events in this movie are shown from the title character's perspective instead of Leo Borlock's.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Friendships are tested when two girls have a crush on the popular boy at school.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.