I Watched Amazon's Girlboss 'Cinderella' So You Don't Have To
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.

200 kmh winds, 18 cyclones, 12 countries - Andy Byatt (Blue Planet, Earth) Cyril Barbançon and Jacqueline Farmer have teamed up with NASA and composer Yann Tiersen to bring this thrilling and immersive experience to the big screen. Beginning its tumultuous journey as an ominous sandstorm in Senegal, heading west across the Atlantic to toss enormous ships and waves topsy-turvy, then crashing into the jungles of the Caribbean, we live inside this hurricane, and it is truly awesome, scary and incredible. Ants, lizards, bats, frogs, horses, homeless men, rivers, ocean reefs, the US Gulf coast - all bend before the power of this monsoon turned magnificent. We see it from space, we see it through the eyes of animals, from the operations' rooms of the emergency agencies meant to warn us and help us cope - and we see it from the ground as it explodes and unleashes its fury upon us.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.