Dracula (2025)’s Yearning for His Lover
Dracula evolved from a person to a monster and then from a monster to a person.

200 kmh winds, 18 cyclones, 12 countries - Andy Byatt (Blue Planet, Earth) Cyril Barbançon and Jacqueline Farmer have teamed up with NASA and composer Yann Tiersen to bring this thrilling and immersive experience to the big screen. Beginning its tumultuous journey as an ominous sandstorm in Senegal, heading west across the Atlantic to toss enormous ships and waves topsy-turvy, then crashing into the jungles of the Caribbean, we live inside this hurricane, and it is truly awesome, scary and incredible. Ants, lizards, bats, frogs, horses, homeless men, rivers, ocean reefs, the US Gulf coast - all bend before the power of this monsoon turned magnificent. We see it from space, we see it through the eyes of animals, from the operations' rooms of the emergency agencies meant to warn us and help us cope - and we see it from the ground as it explodes and unleashes its fury upon us.
Dracula evolved from a person to a monster and then from a monster to a person.
A direct fall into the white savior narrative
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.