"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Having posted his life on social media, James Blakes' identity is stolen and used in fake crypto investments. In a fight to get his identity back, he uncovers a world of organised crime exploiting slave labour to run their scams.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
This short film was an overall creative success.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?