Four young people coming to the forest for exploration. The girl is walking away from her partner and encounters a wild man on the road. On the other hand, the big fish accidentally fell into the trap of the locals and was saved by the girl's black scorpion. The two clamored for a marriage. Getting along, the savage fell in love with the birds, and saved her from the predicament at the crucial moment, but she was caught in a tragedy...
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
