
In a world bound by society's labels, Marko has always been an outsider. His only constant: a daily hummus toast, a small comfort in the chaos. Desperate for change, he sets out on a mental health journey, where the real battle begins. Confronted by the sound of his own voice, Marko faces his deepest fears and hidden longings. As he wrestles with his identity, he discovers that true freedom lies not in fitting in, but in embracing who he truly is.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.