"Ammonite": An Aching And Incomplete Love Story
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.

Peter is a medical student about to graduate and begin his residency. When his professor fails him, he winds up in bed with an actress and singer named Bogart rolling through Los Angeles. He accompanies her to the redwoods of northern California, where he encounters her eccentric family of pot farmers. But when Bogart runs away without a word, Peter is thrust into the picturesque and bizarre world.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.