At midnight, Yamabe, a killer, escapes from prison. Two years before, bribed by a narcotic smuggler, Yamabe killed a real estate broker. As he was being arrested by detective Negoro, the detective's bullet struck Sakuko, Yamabe's girl friend who attempted to protect him, and crippled her. When Yamabe was sent to prison, Negoro cared for her and they fell in love. Sakuko asked him to marry her, but Negoro was reluctant to take the killer's sweetheart from him. Learning of the relationship of his girl friend and the detective, Yamabe had pledged revenge.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
