"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

For decades Hughie Green was a living legend of British TV, and one of the most powerful men in the business – hosting the star-making mega-hit show ‘Opportunity Knocks’ and changing the lives of countless ordinary people overnight. But it was his final act – a jaw-dropping surprise from beyond the grave – that would change everything.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
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