Collection of three short films from Falcon Studios and Le Salon Video. "Hot City Streets" — Lee Ryder and Mike Weldon mix it up with street rivals Brian Spence and Steve Rossi. They end up mixing cum to settle things with a four-way in an alley and clubhouse. "Take It Like A Man" — Mark Hunter drops by at his next door neighbor, biker Joe Reeves. The tools they use don't work on a motorcycle. "For Men Only" — Lee Ryder stops his car at a gas station. He lures Rick Jensen into the john for some sex. Matt Stoker happens in and proves that three is not a crowd.
Matt Sterling
Director
Joe Reeves
(segment "Take It Like A Man") (archive footage)
Mark Hunter
(segment "Take It Like A Man") (archive footage)
Lee Ryder
(segments "Hot City Streets" and "For Men Only") (archive footage)
Brian Nichols
(segment "Hot City Streets") (archive footage)
Mike Carr
(segment "Hot City Streets") (archive footage)
Steve Rossi
(segment "Hot City Streets") (archive footage)
Rick Jensen
(segment "For Men Only") (archive footage)
Matt Stoker
(segment "For Men Only") (archive footage)
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Taylor Swift details her successful music career in country and pop genres in this featured documentary film Miss Americana.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.