Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A recording of the theatrical adaptation of Irena Dousková's bestseller, starring Bára Hrzánová in the lead role. A few years ago, few people could have guessed how popular Irena Dousková's slim book with the somewhat mysterious title "Hrdý Budžes" would become. The stories of Helenka Součková, a second-grade elementary school student suffering from pensiveness and obesity, and, by extension, the onset of Husák's normalization, take place in the then party stronghold of Příbram, known for its uranium mining. It was therefore logical that the Příbram theater would bring Helenka's stories to the stage. And, as it turned out, it found a brilliant actress to play the main character. Bára Hrzánová was awarded the 2003 Thalia Prize for this role, and the television recording of the theatrical production became a real hit with viewers, as did the performance itself and Irena Dousková's book.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.