'The Suicide Squad' Is Gory, Gratuitous, but Great
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.

Hector Doriani is a stage and screen actor who feels himself living in the shadow of his dead twin brother, Alex Doriani, once a famous star of horror movies. Alex’s young son, Adrian, now lives with Hector in an isolated mansion in the countryside. To keep alive the memory of his father, the boy imagines himself visited by the spirit of the dead man, incarnated in a series of classic horror characters from the past. Eric, Alex’s former butler, now also works for Hector. His main role is to locate and bring to the mansion a series of women who are paid large sums of money by Hector to take part in various sadistic sex games. To complicate matters even further, the games always seem to end with the women getting slaughtered in various gruesome ways by a black gloved, masked killer. Also on hand is horror diva Caroline Munro, as Hector’s housekeeper and cook, who is being pursued by a local priest with whom she once had a much-regretted affair.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.