
Singer Rosa Roma signs a contract with backer Ogden Ward, forbidding love, public appearances, and using her real name. She breaks the contract by falling for composer Griffith Ames, starring in his opera, leading to conflict, a stolen ruby necklace, false accusations against Ames, and ultimately, their reunion after the real thief confesses.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.