Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Hedgehog and Bear shivered from cold at the leaves strewn yard where shrill and angry wind was blowing. Friends decided to go to an abandoned house, where they found a lot of interesting things. They saw a sheet of paper on which a sunny and hot day was painted. Spreading it, they found summer and after taking the sunbath, Hedgehog and Bear continued their fascinating experiments with the weather.
Not every silence is empty. Some are filled with things too heavy for words.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.