“Omaha”: Innocence Broken by Economic Injustice
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.

At 40, Zosia has a happy second marriage, a well-adjusted daughter, a good career, and a comfortable home in Warsaw. But as she and her family usher in the year 2000, she wishes some things in her youth had happened differently, and she's magically transported back to 1987, when she was still married to her womanizing first husband, Darek and lived in the People's Republic of Poland.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
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Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
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