Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Jan and Penny are college roommates who disagree about what is appropriate dating behavior. Penny feels that Jan is a prude for not getting into the swing of the changing attitudes of the "second half of the 20th Century." Responding to the topic of petting, Jan says, "Why you make it sound as harmless as an extracurricular activity." One day Keith introduces himself to Jan in the library by helping her find a poem for their English literature class, and then asking her out to discuss it later. They hit it off immediately, and start enjoying sporting events, dancing, and studying together. Soon Jan is wearing Keith's frat pin. However, Keith's roommate Stan tells him that "Love has gotta include sex" and Penny is telling Jan the same thing. When Keith tips in this other direction one evening, Jan is hurt and will not go down this new path. Happiness lies along only one of the paths, and either Jan or Penny will soon find that their actions have brought regretful sorrow.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
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For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.