Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

"How do you know if it's love? Can you fall in love more than once? Is love blind? Can you love more than one person at a time? How important is sex to a relationship? Does love happen at first sight? Is sex love? Can you confuse chemistry with love? Is sex the real turn-on, or is intimacy? Now, for the first time, on an original videocassette made especially for you and other teenagers your age, you'll find the answers to these questions. With the help of Justine Bateman from TV's FAMILY TIES. Jason Bateman from VALERIE. Ted Danson from CHEERS. And a cast of real-life teenagers from University High School in Los Angeles. With song. With dance. With pizzazz. With advice from Dr. Sol Gordon, America's foremost expert in family and sex education. How can you tell if you're really in love? Easy. Watch this video and find out!"
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.