
Exploring fashion’s uneasy relationship with ballroom and black queer culture, SHOWstudio followed the House of Gorgeous Gucci as they compete in the category of ‘Fashion As A House.' Styled by Anna Trevelyan, the New York City icons donned haute couture garments from the fashion world’s top ateliers. The documentary forces the viewer to embody the other, the outsider. Capturing nightlife scenes and interviews with each participant, this film unearths the core values of ballroom and the intensity of competition, along with questions on the semiotics of high fashion’s appropriation of queer culture.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.