
Because of a millionaire fraud, a man is condemned to house arrest, and the only place where he can serve sentence is his mother’s house, affected with Alzheimer disease. The arrival of the man disrupts the life of the people who live with the elder woman. With turns of the screw, the story feels dramatic, but it also contains certain amount of irony. It talks about human and family relations with a total absence of violence.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.