On Christmas Eve, emotionally distant mother Manuela's six-year-old Iván disappears from a mall. As two Guardia Civil investigators pursue the case, Manuela is driven toward a more unsettling possibility: she may be losing her grip on reality. With no evidence of a kidnapping, the case escalates when authorities uncover her criminal past — and no one claims to remember ever seeing her with a child. As time tightens, Manuela must prove her innocence before it’s too late.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
A legacy based on the comic strip for old and new fans of Peanuts.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
