“Jingle Jangle: A Christmas Journey” is a Netflix Christmas Treat
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time

Come and take a holiday at the hottest hotel in hardcore history. Leave your reservations at home. There's so much coming and going and coming and coming at the Hotel Paradise that manager Peter North doesn't know what to do. In the penthouse, Princess Stephanie (Tracey Adams) is getting carnal comforting from King Mustafa, while later the recreation director (Rachel Ryan) gives the princess a royal lesbian licking. The problems continue with an elevator lovemaking escapade, hookers working the cocktail bar, and even a surprise buy-out offer from a Japanese industrialist. At the end of a day like this, secretary Victoria Paris knows what her boss needs. And it sure ain't a glass of water and two aspirin.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.