“Verity” and Grief’s Numerous Forms
The actions that Verity confesses to are tragic. But the way to prevent those actions isn’t to force the related emotions into the shadows.

New York City's Monterey is a residence hotel, whose inhabitants are older and primarily live alone. The camera, usually stationery, observes the lobby. No score, the lobby is clean with granite floors, men wear hats, people enter and exit an elevator, the camera looks out from within the elevator as doors open and close. People sit alone and motionless in their apartments. There are long shots of empty halls. Paint peels. The flooring on upper levels is linoleum. Hall lights are florescent. Doors open a crack then close.
The actions that Verity confesses to are tragic. But the way to prevent those actions isn’t to force the related emotions into the shadows.
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Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
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