“Dead Poets Society”: Why Neil’s Father Stood "Before The Law"
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.

Ten horror tales about the strange and sinister goings-on in the Hotel Darklight: Lonely Hearts (written and directed by Ciaran Foy); Hotel Training (written by Maura McHugh and directed by Conor McMahon); Prejudice (written and directed by Paul Walker); St. Mary (written by Gerry Creehan and Paul Markey and directed by Brian O'Toole); Play Dead (written and directed by James Phelan); Heaven in a Wildflower (written by Sinead Fagan and directed by Dolores Rice); Regards to the Chef (written by Eilis Mernagh and directed by Kian Petit and Ewan Petit); Noughts and Crosses (written by Barry McLoughlin and directed by Alan Brennan); You Beta Your Bollix (written by T.C. Director and directed by Ian Whelan); Better the Derval You Know (written by Paul Markey and directed by Brian O'Toole).
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.