Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Donnie Marco’s stepbrother Richard Hicks isn’t gonna say no to helping with Donnie’s needs. Donnie knows he can get that meat out and enjoy a blow job, but also knows he can properly fuck young Richard. Sweet little Kieran Karlsson can't believe his luck when his massively muscled step-brother Ivan Kerk asks him for some help with his aching muscles. Fit boy Kaleb Cross might usually be all about the girls but it turns out he's a little more curious than most and he's not gonna miss out on an opportunity to get a cum load splashing Blond twink Peter Polloc. Young Lukas Dails has never been much of a sporty boy so he doesn't know that a lot of soccer lads like Luke Geer are pretty horny all the time. When fit boy Dennis Skala needs a good cock stroke he doesn't care much that his step-brother Alex Law is in the same room.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
Growing up is a challenge for everyone.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.