
Shizuku and Tamami are geisha in Atami who are rivals at the same okiya (tea house). Shizuku is a miser who will use any tool necessary to get what she wants, including sex. On the other hand, Tamami believes in doing things the traditional way, with class. With opposing personalities, these two are always at each other’s throats. Tamami continues to blame herself for her mother’s suicide while Shizuku never knew parental love and doesn’t have good luck with men. Learning each other’s past, the two seem to have built a strong bond… that is until Kenzo, the event producer of the 2020 Tokyo Olympics comes to Atami. Kenzo will be making a movie about traditional Japanese culture for PR and would like to have either Shizuku or Tamami in it. Tamami sees this as an opportunity to fulfill her dead mother’s dreams, while Shizuku sees this as a path to getting rich. The two compete for who will get the contract for this dream opportunity.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
A young girl named Hailey Mays sings a country song that is named after the film's title.