In this violent drama, a young juvenile delinquent gets into more trouble when he gets involved with a gang that steals auto parts and resells them on the black market to pay for their beer parties. It looks as if he might actually turn his life around after he meets a good-hearted woman, when he decides to run a final game of chicken against a juvenile delinquent girl who gets killed in the ensuing crash. The terrified boy then takes his girlfriend and splits. He is later shot-down by the police. Later the authorities learn that the boy was set upon his crooked path by policemen who beat him when he was younger.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
A legacy based on the comic strip for old and new fans of Peanuts.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
