Hot & Bothered (2021)

In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.

This film’s ambition is betrayed by its lack of substance.

Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.

Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.