Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Horse Power poster

Horse Power (2008)

Oh pity the poor cafeteria-eyed bottom boy who's gonna be the recipient of Ricky's tool. It's almost obscene...but some guys can take it. Check out these thugs as they tug on their tools, suck, and fuck up a storm wit da juicy dicks of death.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Oh pity the poor cafeteria-eyed bottom boy who's gonna be the recipient of Ricky's tool. It's almost obscene...but some guys can take it. Check out these thugs as they tug on their tools, suck, and fuck up a storm wit da juicy dicks of death.

Rating:
Genre:
Directed By:Robbie Rob
Written By:
In Theaters:8/26/2008
Box Office:

Runtime:90 minutes
Studio:The Latin Connection

Articles You May Like


Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Nilufer Ozmekik

"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso