
In the borderlands, crossed by climate refugees looking for safety, men face their primordial nature, in a bleak reality where the law of the strongest rules the world. Hidden in an underground shelter and resigned to his fate, the main character observes the definitive decline of society as it surrender to the evil nature of men, until a special encounter, interpreted as a divine sign of light, turns on his faith and hope for the future of humanity.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Fire Island is Hulu's most recent romantic comedy and the latest spin on the Jane Austen classic, Pride and Prejudice.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.