A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch. A follow-up to the previous year's megahit Hong Kong Nocturne, with the same Japanese creative team, Hong Kong Rhapsody follows the fortunes of an unemployed magician whose love life is so knotty it would take Houdini to unravel!
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.