'Dune' Disappoints
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.

Danya is a successful advertiser with delayed life syndrome. He tolerates the present for the sake of an ideal future, which he constantly dreams of: a solid income, a house in Italy and a pretty wife from social networks. He strives with all his might towards his goal, but life makes its own adjustments, or rather death. Postponing everything for later, Danya starts an old disease and suddenly falls into a coma. He finds himself in the waiting room of the afterlife, which suspiciously resembles the airport from his latest commercial. There are only two flights — to heaven or hell. However, the chance to return to the world of the living is not lost either. While whiling away the time at the local bar "Darling, I won't call you back", Danya rethinks her life and tries to fix everything.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
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Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
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