When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.
Ulises Pérez Mancilla
Director
Stephanie Salas
Amanda Suárez
Arturo de la Rosa Villanueva
Nicolás Suárez
Alberto Santiago
El Bull
Patricia Madrid
Señora Conchita
Leonardo Alonso
Gerente de Producción
Marta Aura
Natalia Miranda
Jorge Carrera
Actor Infomercial
Alberto Cerz
Director Cortometraje
Yoalli Michelle Covarrubias
Chica en el baño
Mariana Gajá
Ivana
Lety Gómez
Doña Pilar
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.