Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Every night, Madge Dow of the Middleport Orphanage, imagines herself in the lighted room in the house across the way, being tucked into bed by a beautiful mother. After Madge and her friend Spotty escape to visit settlement worker Letty Thompson, and Letty encourages them to investigate the house, they find a grumpy, gout-ridden old Major there, still irritated over his daughter's marriage years ago without his consent.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.