Micachu's Shivering 'Jackie' Score Gives Nuance to the Woman's Gaze
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.

About three women in search of a home return to South Korea after an absence of more than thirty years. In the 1970s, they left everything behind in order to go to Germany as "guest workers." Although assimilated in their new country, they long for the old one. Now they are able to realize their dream of returning with their German husbands to Dogil Maeul, the German village that has been created for people like them. Situated in a picturesque bay, the village is indeed more German than Germany--there is even whole meal bread and Frankfurter sausages. This is the new-old home to which their sixty something husbands Armin, Willi and Ludwig have come in the hope of spending their remaining years. However, there is still something missing for the three women as they discover it is not so easy to pick up where they left off.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.