Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Home for Sale poster

Home for Sale 

Loan sharks harass Damir and his family, even to the point of writing “home for sale” on the exterior of their house. Damir desperately tries to borrow money from his relatives, friends, and anyone else he knows; Cholpon also struggles to prevent the worst from happening.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Loan sharks harass Damir and his family, even to the point of writing “home for sale” on the exterior of their house. Damir desperately tries to borrow money from his relatives, friends, and anyone else he knows; Cholpon also struggles to prevent the worst from happening.

Rating:
Genre:Drama, Crime
Written By:Bolsunbek Taalaibek Uulu, Taalaibek Kulmendeev
In Theaters:
Box Office:

Runtime:81 minutes
Studio:Kyrgyzfilm, Shaboto Film Group

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones

'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger