Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

Edited during the BLM rebellions in June 2020, HOLDING THE LINE connects with Saidiya Hartman’s research on waywardness - dreaming and longing for a whole life nurtured in self-compassion, possibility and love, outside of the spectre of racialised violence and surveillance. Curious about how hope for survival, joy and release can manifest in the face of intersecting violences, HOLDING THE LINE suggests the following questions: Is the ability to live free a dream? What WILL freedom feel like?
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
'Hollywood Stargirl' (2022) is a teen romantic drama film that centers around the title character's experiences in Los Angeles. This film serves as the sequel to the 2020 film 'Stargirl', but unlike the previous film, the events in this movie are shown from the title character's perspective instead of Leo Borlock's.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
It’s dark, uncomfortable, and there are things that don’t make sense.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.