Hold on as you can 

A Black woman centered in a box office rom-com with a happy ending and no struggle love.

With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture. 

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?

It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.

This article will cover why this film is categorized as a documentary and concert film.