EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

A russian hit man gets trapped in Stockholm after killing a competitor. A Swedish police officer trained in Moscow investigates using violent methods. A young porn actress witnesses the murder but is too scared to talk.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.