A sensual drama that carefully depicts the conflicts of a hotel lady, set in an office whose names are all fruits. Hitomi Kurosawa, who is known for her voluptuous proportions, delicately portrays the complex feelings of a prostitute who has no illusions about her love life. Melon (Hitomi Kurosawa), who lies to her hometown's parents that she works as an office lady and works as a hotel lady in Tokyo, is proposed to by her regular customer Kageda (Yutaka Ikejima). Melon has arranged a date with Kageda on Christmas, which is also her birthday, and asks him to give her sunflowers, which are out of season.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The external threat invaded the domestic environment at the most valuable moment: grieving.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
