Honey Girls Jam Their Hearts Out
A trio of girls form a band and enter a singing competition together after learning they work best as a team.

Der Theatermacher ("The Theatre Maker") is a play by austrian writer Thomas Bernhard. It was released in 1984 and had its world-premiere the following year at the Salzburger Festspiele under Claus Peymann. Centered around main protagonist Bruscon, it is full with allusions to the famous festival in Salzburg. During a break in his latest tour the actor Bruscon tries to stage his play „Das Rad der Geschichte“ ("The wheel of history") in the small village Utzbach. He involves his whole family in the production as actors - wife, daughter and son. The production becomes increasingly difficult with Bruscons heavy mood swings. He turns out as a tyrant, dissatisfied with every detail - from stage to room temperature - and declares that the village is too small for his outstanding piece anyway. During rehearsals he constantly knocks the others down, highlighting himself as the important actor and theatre man.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.