Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
A teen comedy that nobody wants to see.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.