Adapted from the manga of the same name by Hisashi Eguchi, and directed by Minoru Kawasaki and Rintaro, this is a series of random skits featuring anime, live action, and puppet show segments, exploring love, sex, death and many other sometimes controversial subjects.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
An excellent exploration of taking a joke too far.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
