Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."
John Emerson
Director
Douglas Fairbanks
Pete Prindle
Clarence Handyside
Proteus Prindle
Rene Boucicault
Pansy Prindle
Jean Temple
Pearl Prindle
Charles Butler
Cassius Cadwalader
Loretta Blake
Christine Cadwalader
Homer Hunt
Melville
Helena Rupport
Olga
Terry McGovern
Referee (uncredited)
Nick Thompson
Ticket Agent (uncredited)
Erich von Stroheim
One of the Weazels (uncredited)
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure