Jimmy, at a fashionable beach, uses binoculars to watch women and falls for a beautiful nursemaid after slipping on a banana peel. His clumsy attempts at romance and subsequent accidents, including falling off the pier and accidentally drenching and injuring a spinster, lead to continuous trouble. The situation escalates into a bizarre chase involving robbers, a whale that swallows him, and an octopus. He awakens to find the high-stakes battle was a dream (or caused by a tangled rope). His real-life efforts to win the nursemaid from a life saver are ultimately thwarted, leaving him stranded in the water once again.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Life may find a way, but is it worth testing its fierceness and how far it will go?
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
