Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Voices from Tsutomu Yamaguchi, who was twice exposed to the atomic bombs in Hiroshima and Nagasaki and later became a storyteller, as well as those who continue the storyteller activities with his daughters, grandchildren, and great-grandchildren, and other people who were twice exposed to the atomic bombs. How will a storyteller who was not involved in the story pass on the memories in the future?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Wuthering Heights— What is the cost of love?
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.