Diversity Programming At The Austin Film Festival
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.

The protagonist goes on a sea cruise, during which he meets charming girls with whom he later falls in love. He is surrounded by amusing characters: a chronic bachelor, a "smuggler" barmaid, and little twin pranksters. Because of the twins' pranks, the movie characters ended up on an island that, as it turns out, belongs to an old hippie saxophonist named Hill. They believed that it was a desert island and started their new life as "robinsons". Years pass... Many children appear on the island, and Hill dies. Suddenly, everyone finds out that they are not living on an island, but at a radioactive waste dump.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Like most young people, Leviticus is imperfect. But I love it anyways.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.