Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

A young girl packs her things. Without a word, she leaves her parents' holiday home. On a country road a car approaches: a young man. He takes her with him. They drive along the Nordic coast. Surrounded by the slight noise of wind and rain, and the sound of tires on concrete. In sight the open soil, faint dunes, waves breaking at the shore. Black. From the backseat the girl sees the young man: He gets into his car, he drives off.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.