Hinsehäxan 

Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.

The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.

'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.

If you want to feel the rush, you have to take the risk.