The Enduring Beauty of “Persepolis”
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.

Camille, cloistered at home for more than a year, escapes into video games, dance, manga and drawing. Among her drawings, we discover MYO, her double, stronger and more extroverted than her. A character that she created and that she "integrates" to face the outside world. One morning, under pressure from her mother, Camille decides to end her lack of understanding of society and the world around her and walks out of her apartment with the ambition to end her life. Fortunately, thanks to the different people she will meet along the way, far from her bitterness, she will finally find the sweet taste of life.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.