On a clear winter and clear winter morning, men and women walking side by side walk sideways for dispatch work. A run course that is not a daily routine, passing by a high school girl who blooms in the story of her opposite sex while the town is dyed by Akane. Tsukasa spends his gray days imitating the colors of his surroundings, but only the coffee shop in his neighborhood, where he often goes, was the only place to add color to his heart. As expected, Tsukasa also smiled during the time between the friendly young manager and the AI of the clerk who chased him. "I'm not interested in my boyfriend" That's what TSUKASA says, but he always had an uneasy feeling in his mind. At that moment, I am confused by love, the return journey of the two, and sudden questions. "Isn't Tsukasa really like you?"
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
A direct fall into the white savior narrative
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
